Category: News

News (industry, events)

News: Fujifilm X-M5

After a week of rumors, Monday 14 October 2024 set as the date by Fujifilm for the X-Summit, and an announcement about some firmware updates, we now know about the Fujifilm X-M5.

The X-M5 is the smallest Fujifilm X body. Without viewfinder, but a tilt screen, it is geared towards “creators” — think of it as a video camera. It presents as the inexpensive video body in the Fujifilm X lineup, a market cornered mostly by Sony, Panasonic and Canon. The Panasonic S9 is a prime example albeit at a much higher price point.

The X-M5 doesn’t have IBIS (In Body Image Stabilizer), however it has electronic stabilization for video, a system which dampen the camera motion shake at the price of a 1.33 crop. With 26.1 megapixels, it uses the older X-Trans 4 image sensor, albeit with the 5th generation X-processor. It uses the NP-W126S batteries (that’s the smaller ones as found on the X-Pro and earlier X-T), has a mic and headphone jacks, and HDMI Micro.

On the controls, I’m just skeptical of the film simulation dial. Why a dedicated dial for this? I just hope it can be reconfigured to something more useful.

The camera comes either body only or with a kit lens XC 15-45mm f/3.5-5.6 OIS PZ, the most compact zoom lens in the line. The OIS helps with the lack of IBIS. And two colours: silver or black, the latter being for April 2025.

The MSRP for the X-M5 is to be €899 / £799 body only. Add 100 in either currency for the XC 15-45 zoom in kit. Canadian price is CA$1,079 body only, and CA$1,199 with the 15-45.

DPReview has a review already

Other announcements today included the XF 16-55mm f/2.8 R LM WR II zoom lens, an update to the previous model, and the XF 500mm f/5.6 R LM OIS WR telephoto lens.

News: Harman Phoenix now in 120

Kosmofoto tells us Harman Technology releases 120 version of Phoenix 200 film.

Harman Technology is the owner of Ilford, the well known black & white film photography brand and Kentmere. Phoenix is their brand new colour negative film. It’s an original emulsion, not a repackaging that was released in 135 format last December. The 200 ISO film is now available in 120 format.

This is great news.

Rollei 35AF

Back in March 2024, Rollei announced the Rollei 35AF. A newly redesigned version of the Rollei 35 film cameras. The pre-orders will be opening 10 September 2024.

What is the Rollei 35? It’s a long line of high-end (it’s called “premium” these days) compact 35mm film camera that sold over 2 million units since the late 60s. The Rollei 35AF is a redesign, developed by MiNT over the last few years (read all the updates, it’s interesting).

With a newly designed 35mm f2.8 fixed lens, a built-in flash, it features auto-focus (hence the AF moniker), auto-exposure, and retain mostly the appearance of its predecessors. At around US$650-800, this provides a new alternative for film shooters that is less expensive than the Leica and that is not doomed to break down due to age like most vintage camera are.

The Rollei 35 AF: What is new & what is not

Official website.

News: Kodak photo businesses sold to private equity

DPReview: Kodak photo businesses sold to private equity

Well….

This is not good news. Private equity are the corporate looters. And this one is the one that removed “Co-op” from “Mountain Equipment Co-op”…

I don’t expect Kodak film product to be developing. Maybe it’s time to stock up. And when some Fujifilm are suspected to just be Kodak, I wonder about the broader impact.

News: Pixii move to full frame

I talked about rangefinders and mentioned the Pixii, and how it being APS-C sized sensor was, an issue given that it uses Leica M-mount lenses.

Turns out as DPReview tells us that Pixii launches 24MP Pixii Max, its first full-frame rangefinder:

The Pixii Max (Model A3410) is the company’s fifth camera and the first to move from an APS-C sensor to full frame.

Feels like a good revision. At €3,999 without taxes (about CA$5,900), it’s less expensive than a Leica M.

News: Fujifilm Set to Restart Colour Film Production in China

PetaPixel inform that Fujifilm Set to Restart Colour Film Production in China:

Fujifilm reportedly held a colour film launch event in China where it announced it would restart the production of its C200 and C400 colour negative film through production partner Yes!Star.

C200 and C400 are the successor of the Superia line of films: consumer grade (but high quality) colour negative film. With film prices rising, and choice reducing, it seems like good news.

More supplies is better. With Ricoh releasing a new film camera, it seems that film is not dead.

Pentax 17

I previously mentioned the Pentax film renaissance. Today Pentax announced the Pentax 17 (via DPReview).

This gives the details we didn’t previously have.

It’s a vertical half frame (17 mm wide, 24 mm tall) 35mm millimeter compact camera, with a manual focus fixed prime lens. It has program exposure with a few modes, and built-in flash with sync at 1/125. It will be priced at US$499.95, to be available in late (aren’t we already in the second half?) June 2024.

The manual focusing is zone based, reminiscent of non auto-focus compact cameras, and the viewfinder is parallax corrected, and centered on the lens in the middle of the camera. This is neither a reflex (through the lens) nor a rangefinder.

The body construction has metal, i.e. it’s not a cheap plastic blob. The leaf shutter goes from 4 sec to 1/350 sec, with also a bulb mode. The lens is a fixed 25mm (37mm equivalent) with f/3.5 aperture closed down to a max of f/16. Film advance is mechanic with a lever, so is ISO setting (no DX). The camera uses a CR2 battery for the metering and the flash.

The half frame allow 48 and 72 shots on 24 and 36 exp rolls respectively. If you want to shoot in landscape mode, just flip the camera.

This camera could totally be from the late 1970s, minus a couple of things. According to Ricoh-Pentax, the lens is based on the 1994 Pentax Espio Mini, but using the same attribute as was used on the 1962 RICOH Auto Half

At US$500 I am not sure whether this is right-priced or not.

News: Panasonic Lumix S9

The internet camera reviewers dumped their reviews of the new Panasonic Lumix S9 after an expense paid trip to Osaka, Japan.

It’s a full-frame L-Mount camera of a small form factor. It features IBIS, 6K video, 24MP sensor, on par with S5II.

Photography-wise, no breakthrough. One exception is the possibility to add multiple LUT to apply to the image processing for SooC JPEG. It’s like film emulation but customizable. A purely software feature. LUTs can be loaded from the card or using the companion LumixLab app, which also include the editing feature for the profiles that aren’t anywhere. The reliance on a “mobile app” remain a bad trend. The LUT feature is actually expanded from the Lumix S5II where it was limited in numbers (maximum of 10 vs 39 on the S9) and to V-log.

Panasonic also released an L-Mount pancake 26mm f/8 fixed aperture manual focus lens to make a compact setup. Beside, they announced a 18-40mm f/4.5-6.3 a compact zoom lens that would help keeping the camera compact.

Missing are a viewfinder, possibly a hot shoe (it’s cold, ie no connector, not even flash sync — to be fair this only prevent using a flash strobe) and the headphone jack. Compactness has a price.

For video, it targets “social media” and support many formats and aspect-ratios, including vertical (yikes!), and while the built in mic doesn’t seem to reach the levels of Sony’s, it has a mic input jack (but no headphones). Also it has a tilt screen (hi Fujifilm!), and you can apply the LUT mentioned above to your video footage. It uses the whole sensor in a 3:2 aspect ratio for video, that can be cropped and reframed to your preferred aspect-ratio. However it has recording time limits of 10 minutes if you use 6K mode, 15 minutes in 4k, and 20 minutes in 1080 that the S5II doesn’t have.

MSRP:

  • 26mm f/8: US$199
  • Lumix S9: US$1,499
  • 18-40mm: unknown

DPReview initial Panasonic S9 review

DPReview: Panasonic announces 26mm F8 body-cap manual lens and trails 18-40mm

On a personal matter, the lack of viewfinder remain for me a huge drawback as a photography camera. Otherwise if feels like a perfectly capable camera, and probably excel in video like most of the Panasonic lineup including in m4/3. And if you already have L-mount lenses, this could represent a great choice as a supplementary camera body, being a little less expensive than the Lumix S5II almost matching its capabilities. None of this opinion is based on hands-on use.

DPReview moving forward

After announcing the death of DPReview back in March, and many rumors, it seems that DPReview has found a new owner:

We’re thrilled to share the news that Gear Patrol has acquired DPReview. Gear Patrol is a natural home for the next phase of DPReview’s journey,

There a reassurance that the same team would be running it with the same editorial direction.

This is great news given that Amazon, the previous owner, has been know to burn down the house rather than selling it to “competition”.