Personal ramblings on photography
Via PetaPixel, a Fujfilm X-T3 teardown:
But, the X-T3 is here, and it’s as beautiful as ever.
Aesthetically pleasing and minimally invasive, the X-T3 is an artist’s camera. Upon initial inspection of the retro chrome exterior, we found some fairly decent sealing around the ports and doors.
Previouly: the Canon EOS R teardown, and the Nikon Z7.
There, I said it. The future of interchangeable lens cameras is mirrorless.
Let’s see why.
The SLR design date back from the film days. A design that allow precise framing using through the lens viewfinder, but that has a somewhat complex mechanical design, increasing cost and size. Today, the film being replaced by an electronic sensor, an instant image can be obtained through the lens. An electronic viewfinder will also be through the lens, with all the advantage of the SLR design, and more. Without the need for that complex and bulky mirror box, the camera can be designed to be more compact.
There are a few reasons why DLSR exists and are still somewhat the de-facto design: trade offs.
The first trade off is that you have to change the lens mount to benefit from a more compact design. This made moving from the older film camera to the digital one is not as easy unless you threw away your investments in glass. This was a perfectly valid point in the last decade, and since the move has happened, the problem persists, even for those that started with a DSLR.
The second trade off is the performance of the autofocus system. DSLR use a phase detection system with sensor located in the mirror box. Something that appear to be problematic on a mirrorless camera, and phase detection AF is more performant than the contrast detection system commonly used by mirrorless cameras. Manufacturers have worked out technology to improve the situation a lot. A small category of users that needs it really needs it still, but we are getting there.
But it is time to make the jump.
The market
Currently only 4 vendors still offer DSLR. Canon, Nikon, Ricoh-Pentax and Leica. Sony hasn’t released a DSLR in a while and given their α lineup (mirrorless), I don’t think they will, Olympus has made the switch to M4/3 a while ago already, Panasonic has been mirrorless only as well also with the M4/3 system, Leica is mostly betting on mirrorless and Fujifilm has been kicking it with the X- series, improving at each generation and the GFX medium format.
In August Canon announced the EOS R, their full frame mirrorless system, while they have a EOS M series that feature an APS-C sensor. They just announced new lenses for that system, so it might stay for a little while. And it is much more affordable as well.
Weeks prior to that, Nikon had just announced the Nikon Z, their full frame mirrorless system, after discontinuing the Nikon 1 which wasn’t really a sensible proposal with its miniature sensor.
As for Ricoh-Pentax life is tough. The Pentax K 01 wasn’t really a success, nor was the Pentax Q that disappeared as quickly as it appeared. And now that it is Photokina, it doesn’t seem that Ricoh had anything to announce in that product line.
If anything, the growth on the market for Sony as proven that mirrorless full frame can be a viable option. Sony is clearly the market leader for full frame and Canon, Nikon and Panasonic wants to try to catch up.
Is full frame the future? I don’t think it will be the only but it will be dominant. Panasonic just announced a full frame mirrorless, sharing the lens mount with the Leica SL, while still continuing with the M4/3, and Sigma who barely has presence in the camera body market has announced they were developing a body for the L-mount. I’m confident that Fujifilm can continue with the X-series without moving away from APS-C, with a more compact system that nails the image quality including in low light, at a price lower than the current full frame lineup. Sony will probably keep some of their APS-C mirrorless until they can bring down the price of the α series down enough.
The medium format has a future too for demanding users, but the price is steep. For example, the Fujifilm GFX 50, a “medium” format sensor mirrorless starts at about US$5,000.
The future
I predict that within 5 years, neither Canon nor Nikon will be pushing DSLR, except maybe in a few niche segments like top of the line sports. The Leica S might survive as Leica just announced the S3 just 10 years after the previous iteration but this camera is already in a very niche segment given it’s price. And some of the manufacturers won’t be left unscathed.
One my first shots with the Fujifilm X-T3. This is JPEG straight out of camera, just cropped, Velvia film simulation.
Also at Photokina, Fujifilm announced a new camera in their GFX series: the GFX 50R. The GFX 50R is to the GFX 50S what the X-E1 was to the X-Pro1: a more compact version of the 50 megapixel medium format mirrorless, in what they call a “rangefinder style” body (it is not a rangefinder camera). The GFX 50R also has a dual SD card slot. Available in November (2018) for US$4,500. DPReview has the details.
And to double it up, the announcement included news of the development of the GFX 100, a 100 Megapixel successor of the GFX 50S, to be released sometime in 2019, featuring phase detect auto-focus and in-body image stabilisation, as well as 4K video ! But will they solve the problems with such a large sensor? The price is speculated to be around US$10,000.
One more thing. According to The Verge, Fujifilm showed a XF 33mm f/1.0 R lens. F ONE POINT ZERO ! Coming in 2020.
(Updated 2018/09/26: added links to specifications)
And third time is a charm. Just yesterday Canon announced their fullframe mirrorless, Fujifilm just announced the third iteration of the Fujifilm X-T series, the X-T3. This is not a revolution in Fujifilm’s lineup: it is not a switch to fullframe as they do not have to do that, but an improvement.
I bought a Fujifilm X-Pro1 in 2012, pre-ordering it. This was the first generation camera of the series with all its quirks, and back then there was only 3 prime lenses. The X-series lineup is very compelling with many excellent quality and reasonably priced lenses, all in a relatively compact package, thanks to the APS-C sensor size.
I haven’t had the chance to see the X-T3 yet. This is based on spec and reviews.
What does the X-T3 brings to the table? It replaces the now 2 years old X-T2, with a wide range of improvements: a newer sensor up to 26Megapixels and a faster processing unit, with faster autofocus. An improved EVF with a faster refresh rate and higher resolution.
New video capabilities make this camera a good contender in the movie camera segment, with native 10bits 4:2:0 internal recording (sadly in HEVC H265), and 4:2:2 on an external recorder. The headphone jack no longer require the battery pack. 4K 30fps no longer crop, only the 60fps is cropped x1.18. The Eterna film simulation found in the X-H1 has been added as well. Sadly the flip out screen found on the X-T100 isn’t part of the upgrade. Fujfilm, pretty please!
Another interesting feature is the sports shooting mode where the captured image is cropped x1.25 allowing the viewfinder can show the outside of the frame, with a burst rate of 30fps.
Hit
Miss
A welcome update, I’m now holding off to get the X-T3, mainly motivated with my foray into moving pictures.
The rumored Fuji X-H1 is no longer a rumor. This is the new top of the line Fuji X camera from Fujifilm.
Note: I do not have access to one at the moment.
From the Fujiguys:
In summary from this video (after a quick watch):
Update: Fujifilm Canada product page.
Update 3: DPReview first impression: USD$1900.
The other videos from the Fujiguys for more official information:
Fujifilm announced the X-E3. An upgrade to the X-E2S. The control get the same update like touch screen, AF joystick, AF touchpad, 24MP. It will also have 4K video (hello Canon!) like the rest of the X-series. Price will be ~USD$900, ~USD$1300 with the 18-55 OIS.
The lens roadmap was updated, with a 80mm f2.8 OIS WR Macro with 1:1 magnification for November 2017, and later a 8-16mm f2.8 WR ultra-wide zoom and a 200mm f2 OIS WR, the later being compatible with the teleconverters.
Fujifilm also announced firmware updates for the other models (X-Pro2, X-T2 X100F, X-T20) to be released in November / December 2017. The X-Pro2 is getting 4K video with this firmware upgrade.
I think I’m no longer hung on my upgrade path, taking video into consideration. It will be Fuji X.
Spencer Wynn’s Canadian road trip from coast to coast using a Fujifilm GFX 50S digital medium format.
Beautiful pictures of a beautiful country, lots of places I have visited, lots I have yet to visit.
After over 5 years I finally lost the X-Pro1 viewfinder eyepiece that has often been loose (pun intended). I have dropped it a few times in the previous years, including in the first weeks of use. Not sure when this happened but I found out when I was in Cologne, Germany in February. While this doesn’t prevent from using the camera, I think I do need to replace it.
It seems to be a recurring problem amongst X-Pro1 shooters: link, link,
I’m trying to locate a proper Fujifilm replacement, which is part # FZ09210-100. Digging up the forum I get various stories, with a common point: contact Fujifilm. Some say “you have to send the camera in”, some say they got a replacement in the mail (no mention of cost though, but I’m not expecting it to be free since the camera is no longer covered by the warranty).
Apparently a 19mm eye piece for a Nikon F3 works fine and these go for a reasonable price. I’m ok with that.
On a side note, I lost the flash PC sync cover eons ago and back then it was CAD$7 + shipping for a replacement from Fujifilm. You can find replacements on ebay quite inexpensively.
I’ll keep you posted.
Meanwhile, with the missing eyepiece, here is the status of the camera:
Fujifilm has unveiled their current lens roadmap. While the lineup is already pretty much comprehensive, a few additions are scheduled for this year, notably a 80mm f/2.8 Macro prime lens, and two X-Mount cinema lens.
2018 will see some ultra-wide and telephoto primes.