Tag: film

Fujifilm film price increase

Bad news, Fujifilm Announces Big Worldwide Price Hike on Film according to PetaPixel:

This latest price hike will hit your wallet pretty hard — hence the dedicated announcement.

“The price increases are substantial and it would be an increase of at least double digit, but will vary depending on products, markets and regions” Fuji says. You can expect to see the price tags change starting this month.

An increase of about 10% in the us (archived link) according to Fujifilm USA.

Some people suggested to buy anything but Fujifilm. If only they were not the only one in some market segments.

X-Ray and film

Stella loves film

Bokeh talks about the damage of X-Ray on film with a complete practical illustration: where, how many time, which film, and the actual images. Just an example of what can happen.

Just read.

Personally I just avoid as much as I can traveling with film.

Overexposing colour negative

Petapixel has Daniel Lachman tell us how much you can over expose colour negative film:

“What I took away from this is that film basically can’t be overexposed, it can just be too dense for the scanner to be able to shoot through the negative. But the information will always be there.”

My quick take is that you can shoot it at +2 and it will be more tolerant to under exposure error.

EPSON launches new photo film scanner

EPSON launches benchmark flatbed film and photo scanners.

This to replace the top V700/V750 scanners. It is good to see that EPSON continues to invest in that field. Now we shall see if the quality on small medium like 35mm film is up to the expectations, but it is not like there is plenty of choice since Nikon bricked their expensive CoolScan by abandoning the low quality software that came with it – low quality because it didn’t run on more modern OS, at least on MacOS.

Time will tell.

Goodbye Kodak BW 400CN

Kodak Alaris is discontinuing the BW 400CN.

A very nice film meant to shoot Black & White and have it processed in a regular one hour minilab as it is a C-41 process film.

Now that one hour minilabs are an endangered specie and that it is much easier to find Black & White chemistry than C-41, it was bound to happen. Not sure exactly what to replace it with.

Here are some samples I shot a few years ago:

Beechcraft Expedition #2

Beechcraft Expedition #3

Untitled

New film products

Early December Ilford announced two new disposable cameras with their black and white film, one with HP5, the other with XP2.

Strangely, disposable cameras still sell well in comparison, and Ilford is just trying to capitalize on this. There is a version with processing included for the HP5 film as it is traditional B&W. The XP2 film can be processed anywhere as it is C-41 process.

End of January, Lomography announced the LomoChrome Purple, a colour negative film design to achieve effects similar to the long discontinued Kodak EIR inversible film. The 35mm version is already sold out, but the 120 will cost you around $60 for a five pack, on pre-order.

It is good to see new niche product like these or like the Fujifilm Baby box.

The Fujifilm Baby box

At a time where people mostly use digital cameras for family pictures, with phone becoming more and more the prevalent tool to snap family memories, Fujifilm is trying to bring the instant film back to fashion, outside of the niche market by offering the Baby Box as Tokyo Camera Style is telling us back in November. The Baby box is meant to help you document the early days of your child.

The box encourages parents to take a photo of their child every day to document their first year of life. Rather than just a bunch of digital files on their mom’s iPhone, these lucky kids will actually end up with an actual album of actual photographs to look back though for the rest of their lives.

Let’s hope people realize the importance of the physical picture that generations discover in shoe boxes and albums – and don’t require the complicated maintenance that electronic archive need.

What Kodak could still learn from Polaroid

Christopher Bonanos write for the Washington Post: What Kodak could still learn from Polaroid. He goes on to explain the mistakes of Polaroid and what Kodak should learn from that to survive and keep film coming. The key argument is right here:

Yes, the remaining buyers of film are weighing this technology against digital methods of image-making. But they’re not choosing film for reasons of economy; it could never compete. They are choosing it for a particular look and feel, and because they want to differentiate themselves. Some are old-school professionals who prefer to work in familiar ways.

Bonanos is the author of Instant: The Story of Polaroid that I recommend.